“What we would like to do is preserve it for people to make it a shrine for them basically - a piece of history of Las Vegas that’s not torn down. “We don’t really know what we’re going to do yet because we haven’t dug into it enough yet,” Brett Carden said. The property has water features throughout, skylights, a bird sanctuary and animal enclosures. The site also has three guesthouses ranging from 1,600 square feet to 1,900 square feet and three pools. It has two bedrooms, two full baths, two partial baths and an indoor Jacuzzi. It was built in 1954 and measures 8,750 square feet. People can see where they lived and kept their beautiful animals for many years.” We will never have any wild animals here, but we will have replicas of wild animals, such as tigers and elephants. “This facility will no doubt bring many people to enjoy their legacy, what they created and what they are all about. “I’m so proud to represent them in the future with this beautiful facility,” George Carden said. How to do that remains to be decided, and if they are unable to do so, they will live in it, Carden said. George Carden said he wanted to preserve the famed Las Vegas entertainers’ legacy and make it available to the public to enjoy it. The duo later moved to their 100-acre estate in North Las Vegas known as “Little Bavaria,” which served as their primary home.Īs for the “Jungle Palace,” the two-story main home on Valley Drive was listed by Aaron Taylor of eXp Realty for $3 million and is set to close next week at that price. George Carden and his son, Brett, who moved to buy the home without stepping in it first, arrived in Las Vegas last week to tour the 2-acre estate known as the “Jungle Palace,” where Fischbacher and Horn lived while performing at The Mirage from 1990 to 2003 and were showcased in national television appearances. For over a hundred years, it has survived war, social upheaval, and shifting moral standards to become an integral part of Hamburg’s heritage.The family behind the Carden Circus International are under contract to pay $3 million for the home of the late Strip performers Siegfried Fischbacher and Roy Horn and plan to preserve the home as a shrine to the duo and possibly turn it into an overnight rental and tourist attraction. While the rooms no longer host sensual delights, the hotel continues to thrive by catering to tourists and conference attendees. Long-time residents still refer to it by its old nickname “Hansel and Gretel’s House”, recalling the brothel era. The original 19th century brick facade and open staircase hints at its history. Today the Village Hotel is a modest but comfortable lodging destination in Hamburg’s lively St. In 1960, it reopened as the Village Hotel, named after the neighborhood where generations of sailors and merchants had caroused. The building stood vacant for several years until a local businessman bought and renovated it in the late 1950s. Prostitution was banned after the war, forcing the brothel to close in 1949 when police crackdowns shut down Hamburg’s red-light district. During World War II, the building survived the devastating Operation Gomorrah bombing raids on Hamburg with only minor damage. It gained a reputation among Hamburg’s elite not just for sex services, but also as a social venue for men to drink, dine, and be entertained.įollowing World War I and the social changes of the Weimar Republic era, the brothel’s business declined but it remained open. The brothel operated openly under the management of well-known madam Ida Schmidt, who ensured only the most beautiful and cultured women worked there. The four-story brick building featured lavishly decorated rooms, a bar, restaurant, and in-house musicians to entertain guests. Originally built in the late 19th century, the building first served as an upscale brothel catering to wealthy businessmen and politicians who passed through the bustling port city.Īt the time, prostitution was legal and regulated in Imperial Germany. Village Hotel has a long and storied past, spanning over a century of history in Germany’s second largest city. Take note of the mirror ensconced over the bed! The rooms at the hotel hadn’t changed much since the 19th century. My producer, Suzaan Talib introduced me to the young performers while I was staying at the Village Hotel, in Hamburg, Germany. I cast them for a shoot for Penthouse Magazine in 2003. Looking through the archives recently I came across this portrait of two Albanian sex workers.
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